When I was in design school I spent a lot of time in the stacks, researching. Sooner or later, you go cross-eyed and I got up and wandered around. One day I pulled the “Proceedings of the Korean Worker’s Party Plenum: Pyongyang, 1972″ off the shelf. I started reading it. It was an impenetrable jig-saw puzzle of interlocking code-words, jargon, and heirophantic reference points. Just like “Art In America”. The only difference between the two was that “Art In America” was printed on heavy glossy paper, and had full-color pictures.

When I was in design school I spent a lot of time in the stacks, researching. Sooner or later, you go cross-eyed and I got up and wandered around. One day I pulled the “Proceedings of the Korean Worker’s Party Plenum: Pyongyang, 1972″ off the shelf. I started reading it. It was an impenetrable jig-saw puzzle of interlocking code-words, jargon, and heirophantic reference points. Just like “Art In America”. The only difference between the two was that “Art In America” was printed on heavy glossy paper, and had full-color pictures.

—Post-Modern Art Blows, And It Blows For You « Mr Pre-Press Speaks!